![]() The rest is in the hands of a fine cast and evidently inspiring direction.įonda and Hopper complete a narcotics delivery that brings them the money they need to hit the road toward New Orleans and Mardi Gras. Technicians tempered by years of polishing trash respond with a dedication and challenge that makes Easy Rider one of the few films to see and show America. The behind-the-frame technicians include such dependable veterans of freewheeling production as Paul Lewis, who operates as both production manager and assistant director. Its visual glories owe much to the focal precision and mobility of cinematographer Laszlo Kovacs, whose excellent photography is for once retained in the superior processing and printing by Consolidated labs. It gets the scope of its travel on the film in all its variegate grandeur and individual character, the American Southwest literally serving as the backdrop and woof of the story fabric. Thanks to a compact and creative NABET crew, Easy Rider manages what many other film on the road fails. It presents as well their anguished recognition that one group’s freedom to conform to one mode of expression encourages that group to presume to discriminate against, even justify liquidation of those who would freely choose a different style. If Easy Rider succeeds in illustrating a manifest disillusionment with the land of the free, it is because it simultaneously and clearly chronicles the idealism of its youth. Easy Rider is very likely the clearest and most disturbing presentation of the angry estrangement of American youth to be brought to the screen, played against the barren and bountiful beauties of a cross-country pilgrimage that is at once a search for freedom and a tragic encounter with the intolerance that corrupts the ideals of freedom. They have some contact with drugs, yet this is no cheap trip of matinee psychedelics. Its central characters ride motorcycles, yet this is no chopper film. ![]() The Hollywood Reporter’s original review is below:Īfter years of pandering, brutalizing and titillating films exploiting the spirit of vague protest comes Columbia’s Easy Rider, a production of the Pando Co. The film went on to be nominated for two Oscars at the 42nd Academy Awards, for Jack Nicholson’s supporting role and for the screenplay. Larger 20x16" and 24x20" poster prints are framed and not mounted.On July 14, 1969, Columbia brought Peter Fonda’s Easy Rider to the big screen at the Beekman in New York. 8x10" and 11x14" photographs are mounted and framed. Classic black wood moulding Our professional framers hand produce each frame to the correct dimensions from a classic black, wooden moulding. This frame has a velvet effect back and can be displayed via the strut or hung either portrait or landscape. Suitable for both colour and black and white photos. A simply beautiful photo frame that immediately catches the eye, drawing their attention to its photographic contents. ![]() Framing Options: Luxury four section mirror and black glass photo frame. This high quality Easy Rider photo is available in 4 different print sizes including 24x20'' (60cm x 50xm) wall poster size and 2 luxury framing options for our 8x10'' photos. specialise in providing the finest celebrity and movie pictures to our customers. High quality photo of Dennis Hopper as Billy, Jack Nicholson as George Hanson, Peter Fonda as Wyatt from Easy Rider printed on premium brand Fujicolour Crystal Archive photographic paper. ![]()
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